Title:
Occult Paranoia
“The Last Omen” by Steven Nedelton
Reviewed
by A. Anthony
05/15/2015
1:05
p.m.
The
old public perception of Satanism as a sacrificing, blood-ridden,
pentagram-wielding religion—one that stays in the cover of the shadows—is still
powerfully present in the mind. The chill we experience in contemplating occult
activities is felt twofold in Nedelton’s novel through its two storylines: one
concerning horror writer Aengus Adams, and the other the rather unlikeable
Johan Jensen, a Norwegian ex-military man. Aengus must deal with his sudden
initiation into the occult world by a possessed woman, which starts to unravel his
life. Johan Jensen is faced with, after arrival in New York, dealings with a
dangerous gangster—he is led into deranged areas that he couldn’t have possibly
envisioned in his worst nightmares.
The
reader might wonder why they are suddenly presented with the storyline about
Jensen, and may at first find it a disruption. However, they will find that the
two storylines intersect in an unexpected way, making one look back and realize
that the seemingly unrelated action of Jensen’s section was in fact necessary
all along.
The Last Omen is not short on
bloodcurdling images that will satisfy the horror fan who seeks out gore. There
is a scene depicting a meeting of Satanists, at which a black mass is performed,
and there are several bloody, ritual killings that leave one uneasy and a
little frightened.
While
Nedelton does succeed in writing descriptively, his syntax and writing style in
general may leave some writers stumbling due to a lack of commas, and because
of occasional, awkward turns of phrase. The plot sometimes struggles to assert
itself, feeling a little bit incomplete and rather confusing. But because of Nedelton’s
attention to macabre detail (which shows his promise as a writer in the horror
genre), the book ended up being an okay one. All it needs are slight
modifications to increase its narrative flow and clarity.
I give
“The Last Omen” 3 out of 5 stars.
Until
Next Time,
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